Showing posts with label The Food of Emilia-Romagna. Show all posts
Showing posts with label The Food of Emilia-Romagna. Show all posts

Saturday, September 09, 2006

Buon Viaggio


September 9, 2006: We visit the ceramic center of Deruta in the morning and by early afternoon have arrived in Florence, near the end of our culinary adventure. I must say goodbye to Anne who is tall and elegant, Joyce who is brimming with superlatives, Gary who stirs the pot and Jessica who is the only public relations person I’ve ever cooked with, although I've known many who like to eat. As Joyce would say, it is an “amazing” experience to meet new people and begin to cook together and I will never forget our journey through Bologna and Tuscany and the exceptional meals we shared together. I wish you all Buon Viaggio and great food for a lifetime!

Most important, we all owe a debt of gratitude to our gentleman driver Romano who took such good care of us, and of course our host and instructor, Mary Beth Clark. She has been our interpreter, our translator and our culinary guide and has given us a great gift of herself, her love of food and the regions of Emilia-Romagna and Tuscany. It has been an unforgettable experience. Grazie, Mary Beth!!

© 2006 T.W. Barritt All Rights Reserved

Baking in Siena



Friday, September 8, 2006: The medieval town of Siena sizzles under the bright sun. The streets resemble narrow alleyways that wind to the top of the hill. Siena experienced years of growth between 1260 and 1348. Near the center of town is Il Campo, the clam-shell shaped town square where the famous horse races are held each year.

I spend several hours exploring the Duomo, a gothic masterpiece cathedral begun in 1136. The marble floor of the Duomo is only uncovered once a year during September and October, and for once I am in the right place at the right time. The marble inlay floor is like a gold and black tapestry which depicts 56 scenes that illustrate the history of mankind. I visit the Crypt, only discovered in 1999, where there are beautifully colored frescos that might have remained a secret for eternity.

I move on to investigate two foods that are special to Siena. In a small shop near the Duomo, I find Panforte Margherita a thin, flat torte of golden paste enriched with molasses, nuts, citron and spices. The confection dates to the middle ages. It is chewy and spicy, similar to dense fruit cake or date bread. I walk back beyond the Duomo and stop at Nannini, a famous bakery in Siena. Tourists have lined up to sip afternoon espresso. A gentleman ahead of me on line purchases more than 60 Euro worth of pastries, that are wrapped carefully in cream-colored paper and tied with a red ribbon. There, I sample Ricciarrelli, a clam-shaped golden cookie, slightly larger than the French Madeleine, soft and cake-like and dusted with powered sugar. It is tender, crumbly and sweet – a perfect treat to top my visit to Siena.

© 2006 T.W. Barritt All Rights Reserved

The Glorious Grape

Thursday, September 7, 2006: It is harvest time in Tuscany and the wine grapes hang fat and heavy on the vine. There are gently rolling hills bursting with Chianti grapes, Sangiovese grapes and fruit I’ve never heard of before, such as Foglia Tonda. I set out for a morning walk in the vineyards, admiring the plump clusters of fruit glistening in the late summer sunshine. The dark grapes are deep purple in hue, accented with shades of blueberry, amethyst, cobalt, and black. It’s like watching a dazzling kaleidoscope as the rays of the sun dance on the skin of the fruit. There are perfect clusters of green grapes and lovely pink garnet grapes use for lighter varieties.

The grapes of Tuscany are a revered source of food and drink. The vintner produces a spicy, intense reserve Brunello. I learn from the staff that there is no Brunello grape. The wine is made from 100 percent Sangiovese grosso, and must meet very specific and lengthy aging requirements before it can be dubbed a Brunello.

Out in the vineyards, workers are gathering the grapes into red tubs. On the hill beneath the villa, grapes are removed from the stems by machines, pressed through a crusher, and left to ferment in steel tanks. Nothing is wasted. Even the remaining skins from the grapes are distilled and used to make Grappa.

In the Osteria on the estate, the chef uses wine grapes as a garnish, a color accent, in reduction sauces and as a sweet surprise in pasty. One member of the staff teaches us to prepare sweet cake dough for dessert that is studded with dark grapes and anise. Thin slivers of veal are sautéed in butter and stock and dressed in a ruby-red reduction sauce of balsamic vinegar and wine grapes. Risotto is bathed in Brunello, turning a shade of rosy pink. The meal is an exuberant celebration of the vineyard.

At the end of our evening banquet, the table looks like a post-modern work of art, with wine bottles and decanters littered across the table, and more than a dozen, deep round glasses with just a hint of violet residue in the bottom. We marvel at the brilliant full Tuscan moon as we return to the villa to retire for the night.

© 2006 T.W. Barritt All Rights Reserved

The Master of Parmigiano-Reggiano

Wednesday Morning, September 6, 2006 We are greeted at the door of the production factory by a tall, friendly Italian gentleman with dark hair, chiseled features and taut muscles. He bears a striking resemblance to a stone statue of a Roman deity one might find in a piazza. He is, in fact a deity of the land. He is the cheese master at a Parmigiano-Reggiano production center, a short drive from Bologna.

Dressed in a long, plastic white apron, he offers a welcoming handshake and ushers us into the production center. Much like the seven labors of Hercules, the Master of Parmigiano-Reggiano must endure multiple labors to produce a cheese that meets the rigorous standards of the agricultural region. Inside the tiled production facility it is moist and humid. Using a process that began hundreds of years ago, the staff brings in the morning and evening milk from the cows, which is then heated. Massive copper vats are filled with the hot, milky brew and the cheese master and his assistants work rapidly, dragging large sheets of white muslin through the soup collecting the pale white solids that have accumulated in the tanks. At this point, the curds are flavorless. The cheese master then presses the solids firmly into round plastic molds which are left to dry for several days.

The large disks of cheese are cured for many days in a vat of salt water, about the size of a basketball court. A large mechanical system of hooks and open shelving is used to submerge the cheese in the salt water baths.

The cheese is stamped with a unique serial number and date, stored, and over time the rind begins to take on its distinctive copper patina. We are allowed a glimpse in the warehouse where hundreds and hundreds of rounds of cheese are stacked floor to ceiling and for months will age and season to perfect ripeness.

A staff member pulls a hefty round of cheese from the shelf and slices open the disk with a knife that looks like a large surgical tool. The deep amber rind is pulled away and we get our first look at the result of the cheese master’s labors. Inside, the cheese is wheat colored with a soft, quartz-like texture. We pull off large chunks from the wheel by hand, and take a bite. The Parmigiano-Reggiano pops on the tongue and offers many dimensions. It is sometimes crunchy then smooth. Creamy and then salty. There are dry mineral undertones and flavors of toasted bread. And, it is fresher than anything of its kind I’ve ever sampled at home. It is certainly the food of gods and a Herculean effort from the Master of Parmigiano-Reggiano.

© 2006 T.W. Barritt All Rights Reserved

Tuesday, September 05, 2006

Bologna Culinary Journal

Tuesday, September 5, 2006: This is a story about pasta on the table. Thin pasta, thick pasta, gnocchi and lasagna noodles. It is the story of a skill that was once passed from one generation to another, but someday might be forgotten.

I watch as a tiny, compact woman with steel-gray hair, kind eyes and formidable hands rhythmically cracks eggs into a well of flour in the center of a wooden board. She plunges her hands into the pool and carefully and methodically she works the bright orange yolks and flour into a sticky paste and then a firm, pillow-like dough.

Our instructor explains that this woman of Bologna practices what could be a dying art. More and more Italian families now eat fresh pasta made by machine. The craft of pasta by hand is too time-intensive for most. The woman tells us in Italian that her daughter doesn’t make pasta, but sometimes, her son and grandchildren will attempt it. She has been perfecting her craft for more than two decades and learned it from her own grandmother.

The first batch of dough is now soft and pliable, the color of golden sunflowers. She sprinkles just a touch of flour on the board – always the right amount – to soak up any excess moisture. The wooden board absorbs the rest. She takes a long rolling pin – the length of a yardstick – in hand. It is beveled smooth by years of use. She possesses the skills of an athlete, a musician and a surgeon, rolling with speed and precision, keeping perfect tempo, carefully assessing the dough, shifting it, applying varying pressure to the rolling pin until the pasta is the desired thinness. I am given the chance to try my hand at rolling. She gives my work a friendly nod of approval, but fingers conditioned by years at a keyboard can not possibly produce the same quality results. Eventually, the plump pillow of dough is transformed into a long thin sheet, the texture of smooth leather, but the weight of a fine fabric – extremely light and almost translucent.

She makes a second batch, this time adding spinach, massaging the green leaves and eggs into the flour. The bottle-green sheets of pasta are sliced into large rectangles for lasagna. Finally, she manipulates potatoes that have been pressed through a ricer, eggs and flour into gnocchi. She rolls the dough into long strands of rope and cuts off small rectangles. She teaches us how to get that distinctive gnocchi shape by pushing the individual rectangles down the tines of a fork.

The final presentation of the gnocchi is perfumed with sage, and is all the more satisfying for the history and artistry it imparts. And now, she has passed on the tradition of hand made pasta to me, a mere visitor in her homeland.

© 2006 T.W. Barritt All Rights Reserved


Bologna Culinary Journal – Monday, September 4, 2006: I rise just before 7 a.m. and prepare for the day. It doesn’t take long, since my choices of attire are still limited. It is a short walk down the street to the Piazza Maggiore, an enormous open square lined by churches and palazzos and guarded by Neptune’s Fountain. At 8 a.m. Bologna is still a sleepy Northern town, with just a few pedestrians and pigeons in the piazza.

I return to the lobby of the Hotel Roma where I meet our host and instructor Mary Beth Clark, a charming and gracious woman who is the founder of the International Cooking School of Italian Food and Wine. She will be our gastronomic guide through the week. I am joined by a selection of fellow Americans hailing from Washington DC, Charlotte, NC and Los Angeles, CA.

Mary Beth leads us across the Piazza, and through a narrow passage and we begin exploring the food markets of Bologna. We stop first at a cheese shop. Bowls of creamy white cheeses, some soft and some with curds, and large golden disks of Parmigiano-Reggiano are clustered in glass cases. Slabs of pink prosciutto, which must be cured for at least 300 days, are strung together and hung from the ceiling. We visit fruit stands where the aroma smells like a heavenly orchard and watch butchers at work swiftly dissecting whole chickens. We even pause to inspect the wares of a purveyor of horse meat. Around every corner there is something for the eyes to savor, as we watch the artisanal craftsman of Bologna’s food market begin a new day.

Our next stop is an historic palazzo just minutes away from the market where we will work for the next several hours. Mary Beth leads class in the professional kitchen and we are joined by an Italian chef, an assistant and a valet who attends to our every need. Throughout the day we learn about typical ingredients, scents and flavors of the Italian kitchen. Intoxicating aromas of seafood, fresh rosemary, red wine, olive oil and chocolate and hazelnut fill the air. The yolks of the perfect brown eggs are deep orange, likely due to hens fed a diet of corn and sunflower seeds.

The staff carefully demonstrates the culinary techniques of Italy and we all take a hand in the process. While most of the instructors speak little or no English, by watching and observing their handling of the food, I begin to understand them. I am discovering there is, in fact, an international language of food, and it is one of passion, instinct and mutual reverence.

By mid-afternoon, we sit down to an extravagant luncheon at the palazzo around a beautifully set table decorated by our valet with luscious ripe summer fruits – peaches, plumbs, strawberries and red currants. There are four courses with perfect wine pairings. The food is sumptuous, the wine flows freely and we enjoy learning more about each other over an exceptional meal.

One last biscotti accompanied by a lovely sparkling rose wine, and it is time to conclude. After a brief stop at the hotel, where I learn my luggage has been delivered, I spend the remainder of the day with camera in hand exploring the medieval city of Bologna, which by late afternoon has become a bustling metropolis jammed with people and motor bikes. Warm sunshine bathes the piazzas. I walk to the nearby Bascilica di Saint Stefano, which was built during the period XII – XVII. The ancient stone holy place was formed from four Romanesque churches and has a stately, two-level cloister where I spend some quiet time reflecting on the events and aromas of the day.

Darkness falls, and I take a seat at one of the cafes on Piazza Maggiore and order a glass of vino rossa (the two words I actually know how to say in Italian). I sip my wine and watch as tourists eating gelato, students, lovers, beggars, adventurers and philosophers wander by enjoying the warm summer night. A bulging three-quarter moon peaks into the piazza, illuminating the fortress-like exterior of Basilica di San Petronio, much as it has done for centuries.

© 2006 T.W. Barritt All Rights Reserved


Bologna at Last – Sunday, September 3, 2006: That’s what the poster on the wall proclaims as I exit the shuttle bus and entered the airport terminal to claim my luggage – which hasn’t arrived with me. But, this journey is about food, and not travel disasters, so enough on that story.

There is an enormous, glowing half moon in the sky as my taxi driver speeds me to the Hotel Roma in the historic district of Bologna. We quickly cut through some routine residential areas, and enter the narrow streets of the ancient city. It is very late on a Sunday evening, but there are people about, some on motorbikes. There is stone, and brick, and a large tower up on the hill that I need to learn more about.

My fellow class mates at the International Cooking School of Italian Food and Wine have long since gone to dinner, but my host has arranged for the hotel to provide a cold buffet for me. Once settled in the room with my meager belongings, I feast on salty prosciutto, fresh mozzarella, bread, green salad and white wine. After the drama of my journey, it tastes superb and feels very welcoming.

Tomorrow morning, we meet for a tour of Bologna’s food market and our first cooking class of traditional Italian and nuova cuisine.

© 2006 T.W. Barritt All Rights Reserved